To which, Stanley, may be added that the end result of many of the vaunted special effects, when viewed on a small screen and from a distance well removed from the 1990s hype, was remarkably shoddy. My personal 'favorites' were the twin homages to the classic Japanese monster films of the 1960s which came towards the end....Kate and Leo surrounded by the odd glow once associated with Chroma-key while on the upraised stern, and the breaking in half and falling back of the ship which in terms of being convincing was, perhaps, the equal of the best work in Destroy All Monsters.
So, Titanic can't even be said to be a triumph of style over substance. Sure, the sets were great to look at, but so what? Recreating a well photographed interior, (I'm counting Olympic here) hardly constitutes genius. Likewise, the costumes and props were excellent but, then, it is rare to see an epic in which they aren't. What one is forced to confront, while having a rare latter day viewing of the picture, is just how...unmoving...it is from an artistic, as well as human, level. The animation is always evident, and one never believes for a second that one is 'there.' It is akin to watching a film that switches between live action and cartoon; one cannot possibly engage with it.
Funny to observe. It was commented, decades ago, that Valley of the Dolls was that rarest of films-a certified blockbuster that did nothing for the careers of those associated with it. Same can be said about Titanic. The fact that 99% of the featured cast of the biggest blockbuster of the 1990s saw their careers either tred water or go into decline post-release, and that the one star whose career it helped forward immediately went into 'distance myself' mode, is a rather telling comment on its merits as art. Like the notoriously stupid VoD, it made 'names' out of its central cast, but being associated with it did NOT translate into being bankable.
>That said, if you're interested in the history as it really was, stay away from the movies
Stay away from stupid movies. One can view period films, such as Burnt By the Sun, and not come way vaguely disgusted with one's self for contributing money to someone who, obviously, thinks that you are an idiot. Roger Ebert has said, and I agree, that the people who MAKE idiot films aren't idiots, and the evident contempt they feel for the viewing audience is both insulting and depressing. (A running theme in his new, and recommended, book Your Movie Sucks)
Films don't HAVE to be puerile to find mass market acceptance...witness Star Wars, which was as mass market as a film could possibly be, but within that framework managed to be well paced, occasionally witty, and above all, HUMAN. Thing is, Star Wars was made before Hollywood film and "Diminished Expectations" became entirely synonymous, and so effort was made to turn it into a young persons' film that adults could sit through as well.